HomeNewsArtist NewsSara Bareilles is 'Home'

Sara Bareilles is ‘Home’

May we all be so lucky to live amidst the songwriting prowess that is Sara Bareilles

This month, GRAMMY-winning, Tony and Emmy-nominated singer-songwriter announced her first album in seven years, Good Grief, out August 28th alongside the drop of the album’s first single “Home.” 

As her seventh studio album, and first since 2019, Good Grief reflects on a new chapter in her life. The record is a reckoning with loss, yet even in its darkest moments, it is threaded with an insistent, luminous pull toward hope, or as I like to call it, Sara’s signature.

“This whole collection of songs felt like transmissions rather than a deliberate attempt to make sense of the world,” says Bareilles. “My deepest hope is that Good Grief provides some kind of comfort or catharsis.”

“Home,” the first single off the album, was inspired by a conversation between Stephen Colbert and Anderson Cooper about grief and loss during an episode of Cooper’s podcast. Sara shared, “It feels like an invitation and a tone setter for the specificity and depth of this record. It just feels really essential right now. In order for us as humans to really know and understand each other, we have to listen to each other’s stories.”

As this chapter is rooted in grief, it pulls from not only Sara’s deeply personal experiences over the past six years but also intimate tributes to lost friends, defiant anthems for women’s rights, and unexpected moments of lightness found in the darkest of times.

The album is produced by Sara herself and recorded over six days at Dreamland Recording Studios in Woodstock, NY, alongside some of her longtime collaborators, including drummer Charley Drayton, guitarist Butterfly Boucher, keyboardist Misty Boyce, bassist Solomon Dorsey, multi-instrumentalist Rob Moose, and co-producer, recording engineer, and mixer Jonathan Low. Later sessions took place alongside co-producer Aaron Dessner at his Long Pond Studios in the Hudson Valley, NY, with assistance from engineer and mixer Bella Blasko. The collection also features contributions from Brandi Carlile, Andrea Gibson, Ingrid Michaelson, Joe Tippett, and Megan Falley.

The making of the album was captured in the documentary Good Grief, which premiered at the Tribeca Film Festival on June 4th at the Beacon Theatre. 

As Sara sings, “May we all be so lucky.” 

Pre-Save the album


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Natalie Morrisonhttps://open.spotify.com/show/2gKUFYPqJRD7GUM9VrKgOn?si=fNIKAKbGSYuGVdUwsDHaLA
With over ten years of experience in the music products industry, Natalie brings projects with purpose to life. Currently, she serves as the Senior Segment Marketing Specialist for Education at the Yamaha Corporation of America by championing, advocating, and connecting music educators in the industry and executing Yamaha's strategic vision around the company's continued support and commitment to music education. Natalie serves as a storyteller through several different mediums, from writing to co-founding, hosting, and producing Women of NAMM's ReVoicing the Future Podcast, created almost five years ago, aims to provide a platform to learn from and celebrate women's voices and career journeys within NAMM's focus areas of music products, non-profit/education and pro-audio industries, with the ultimate goal of helping to build an industry with more equitable gender representation. Additionally, she serves on the NAMM Young Professionals (YP)Board of Directors as the marketing committee chair, helping to lead NAMM YP's marketing strategy and how it supports NAMM's mission and the industry's future leaders. Natalie is also the brand and content manager for the Arts Ed Data Project, a non-profit that utilizes data as a catalyst to increase access and participation in music education across the country. In 2025, Natalie was named one of the inaugural members of Music Inc Magazine's 5 Under 45.
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