Emily Bear Releases “God Forbid a Girl Gets Used to This,” Her First Solo Single in Eight Years

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Photo Credit: isstudio

Emily Bear, the acclaimed composer, producer, pianist, and singer-songwriter, has released her new single “God Forbid a Girl Gets Used To This,” available now via Sony Music Masterworks.

Produced by Emily Bear and Julian Dobson (Mark Ronson, RAYE), the song pairs an upbeat, infectious sound with a more vulnerable story. Built around the recurring refrain, “I got trouble with happiness,” it explores the complicated emotions that come with finally finding something good and the fear of losing it.

In reflection of the single, Emily shares: “We hear all these stories about how love makes you fearless, love conquers all, and repeat stories of people doing these wildly heroic things in the name of it. But no one really talks about what happens when you finally experience that fated feeling. Suddenly, there’s something you’re terrified to lose. And instead of becoming fearless, there’s a large part of you that becomes the most cowardly version of yourself, bracing for it to disappear simply because you don’t believe you deserve something this beautiful. This song lives somewhere in that fear, and in the vulnerability of letting yourself start to believe that maybe a good thing can just be a good thing. I’m equal parts thrilled and terrified to start putting these songs out into the world, play them live, and let them belong to people other than me. So, very appropriately and painfully on the nose, God Forbid A Girl Gets Used To This.”

Listen to the single. 

“God Forbid a Girl Gets Used To This” marks a return to herself after spending the better part of a decade bringing other people’s stories to life. At just 25 years old, Bear has established herself as one of the most sought-after composers of her generation and a highly regarded voice in music, with work spanning a variety of genres including jazz, contemporary, and musical theater.

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If this is your first time hearing about Emily Bear, she’s been redefining what it means to be a modern musician since she was five, and the legendary Quincy Jones mentored and produced her. Her musicianship spans jazz, classical, pop, film, television, and musical theatre, and she’s established herself as an incredibly versatile, in-demand creator.

 She was named the youngest composer to write the soundtrack for Moana 2 and the youngest to win the GRAMMY Award for Best Musical Theatre Album for “The Unofficial Bridgerton Musical Album,” which took the internet by storm in 2020. She has performed on some of the world’s most iconic stages, including Carnegie Hall, the Hollywood Bowl, and the Montreux Jazz Festival; was the featured pianist on Beyoncé’s Renaissance World Tour; and was featured on Forbes’ prestigious ‘30 Under 30’ list.

If you’re in the LA area, you can catch Emily Bear at The Blue Note on November 11 & 12. 

 

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With over ten years of experience in the music products industry, Natalie brings projects with purpose to life. Currently, she serves as the Senior Segment Marketing Specialist for Education at the Yamaha Corporation of America by championing, advocating, and connecting music educators in the industry and executing Yamaha's strategic vision around the company's continued support and commitment to music education. Natalie serves as a storyteller through several different mediums, from writing to co-founding, hosting, and producing Women of NAMM's ReVoicing the Future Podcast, created almost five years ago, aims to provide a platform to learn from and celebrate women's voices and career journeys within NAMM's focus areas of music products, non-profit/education and pro-audio industries, with the ultimate goal of helping to build an industry with more equitable gender representation. Additionally, she serves on the NAMM Young Professionals (YP)Board of Directors as the marketing committee chair, helping to lead NAMM YP's marketing strategy and how it supports NAMM's mission and the industry's future leaders. Natalie is also the brand and content manager for the Arts Ed Data Project, a non-profit that utilizes data as a catalyst to increase access and participation in music education across the country. In 2025, Natalie was named one of the inaugural members of Music Inc Magazine's 5 Under 45.

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