Daisy Chain Fields Is Truly For the Girls

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Photo Credit: Emma Wannie

Chappell Roan says it best: “What we really need is a Femininomenon.” 

Olivia Rodrigo’s Daisy Chain Fields Festival delivered exactly that: a day proving what happens when women come together to make a difference in our world.

Music history has moments that bring our community together for a good cause—Live Aid, Lilith Fair, Concert for New York City, FireAid LA. All musical events that do right by the world, but also have you wishing you could say, “I was there.”

Insert Daisy Chain Fields. 

In the middle of Irvine, California, a giant orange daisy-stickered balloon floated over The Great Park, signaling the start of the inaugural festival.

The festival was founded on the belief that joy, community, and creativity can inspire meaningful change. It exceeded that mission. Despite the 95-degree humid temperatures blanketing The Great Park, the girlies came together for a day of music, crafts, community, and connection. I spent the day experiencing all the festival offered, from music to crafts, brand activations, art installations, community, and joy.

Daisy Chain drew its inspiration from Lilith Fair, launched in 1997 by Sarah McLachlan, at a time when radio wouldn’t play two women back-to-back; the festival carried that same spirit forward.

Walking through the rainbow tunnel, I was transported into a field of daisies, with art installations in the trees, vintage furniture in shaded areas, and handcrafted flower art all around the festival. Festival-goers were genuinely happy to be there, despite the heat, in their creative outfits ranging from their own interpretation of the theme to flower crowns galore. Even the girl dads who brought their daughters leaned into the festival’s theme. They understood the moment and were proud to be there for their daughters. It felt like a whimsical fairyland. Peak girlhood.
Etsy Creative Village Bead Fountain
Yoko Ono Wish Tree 

You know that creative side the festival wanted you to experience? Well, for their first festival activation ever, Etsy designed the Etsy Creative Village, an IRL marketplace for fans to shop and create from Etsy sellers, all from women-owned businesses, part of Olivia Rodrigo’s Official Daisy Chain Fields Collection. The village included a bead fountain to design your own safety-pin keychains, a parlor with custom temporary tattoos and fairy hair tinsel. Embroidery patches were available for purchase, and even a junk journaling station from ByJasmini. 

“I think the entire purpose of the festival and everything Olivia is championing for really resonates with me. Standing up for girls and all the non-profits she’s supporting is really great. I have to show up and give the journal community a product they can take home with a reminder of the day. It’s been so great to see the community come out here. I’ve met a lot of my followers in the junk journaling community who made me an incredibly sweet bracelet,” ByJasmini told The WiMN.

The stacked line-up spanned genres and generations, from 90s punk rock band Bikini Kill to Doechii to Mitski and Garbage. The lineup also featured Devon Again, Eli, Die Spitz, Quiet Light, Rachel Chinouriri, Not For Radio, Santigold, and The Breeders. The night ended with incredible sets from Chappell Roan, Not For Radio, and the woman of the hour, Olivia Rodrigo, who brought out some of her own musical inspirations. Sarah McLachlan joined for a two-song set with a tribute to Dolly Parton, Stevie Nicks closed the night with a stunning duet of “Landslide,” and Alanis Morissette surprised the crowd with a performance of “Ironic.”

Chappell Roan at Dandelion Stage
Alanis Morissette surprises Daisy Chain Fields with a performance of “Ironic.”
Stevie Nicks and Olivia Rodrigo close out the night with “Landslide”

But what made this festival special was that the entire time I was there, I felt I was there for the good of the cause. Heading into the festival, Olivia Rodrigo announced that $10 million had been raised for the ten non-profits represented at the event. That announcement truly put into perspective how monumental an occasion this was going to be. At the start of Olivia’s set, she came out to thank the 45,000-person crowd, the artists who performed for free in support of the mission, and to share the collective impact this festival was already making. But then she surprised the crowd with a special announcement from none other than Melinda Gates herself, who pledged to match the $10 million raised to $20 million for the non-profits present.

The Philanthropy Village welcomed festival-goers to meet with the non-profits, learn about the incredible work they are doing in their spaces, and collect pins for the exclusive-designed Daisy Chain tote bags. In addition, each org introduced the acts on both the Marigold and Dandelion stages to educate festival-goers about their important work. The non-profits featured include: Baby2Baby, Black Mamas Matter Alliance, Center for Reproductive Rights, FreeFrom, Jhpiego, Johns Hopkins Center for Indigenous Health, National Domestic Workers Alliance, National Institute for Reproductive Health, National Women’s Law Center, and Planned Parenthood.
 

If Daisy Chain Fields proved anything, it’s that we continue to need more festivals like it. Festivals that can inspire, make a difference, and bring a community together. This one was truly for the girls. 

The WiMN can say we were part of herstory. It was an honor to stand with all the women who showed up for one another and celebrate all the women and girls. Until next year, Daisy Chain! 


The Women’s International Music Network is a 501(c)(3) non-profit. Support our programs by donating here. 

 

 

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